Museum of Neosegregationism

You might have caught the story about Clarence Thomas, a sitting Supreme Court Justice, somehow not being included in any exhibits at the newly-opened National Museum of African American History and Culture.

Oh, no doubt you heard about the museum, the MSM and our cultural leaders couldn’t stop talking about it but the exclusion of Justice Thomas, well, that somehow didn’t make the news.

Surprise!

Not really.

The surprising thing is that so many conservatives thought that a museum created solely for politically correct reasons would actually treat conservatives (especially one as villified as Thomas is) with equality or respect.

Paul Mirengoff’s naive piece in Power Line  is typical of these.

The museum was never going to be anything other than a playpen for leftists; an employment and legitimizing program for left-wing black scholars and their guilt-ridden white sycophants; a tool for grievance- and guilt-mongering; a hive of endless Zinn-like anti-American and racist propaganda.

It’s also part of the continuing decline of the Smithsonian Institution into little more than just another once-great American organization degraded and drafted into service of the left.

Mirengoff, et al, when you set up museums for politically correct reasons, why are you surprised that political correctness reigns?

How could you possibly think that a museum based on skin color and whose design from day one was controlled by liberals and whose raison d’etre followed liberal historical memes was going to be anything less than a liberal hellhole.

Have you been under a rock for the last five decades?

It never ceases to amaze me how some conservatives still don’t understand that we are in a war. It’s like in the movie “United 93,” when it dawns on the FAA’s Ben Sliney that “We’re at war with somebody” as he watches planes smash into buildings. He shut the flight system down until it can be determined who’s attacking.

What’s so hard to understand here?

Like the shockingly underwhelming National Museum of African Art, the National Museum of African American History and Culture was created exclusively for political reasons — to placate or fulfill the demands of the neosegregationist movement. It was never designed for actual real scholarship. There’s already a Smithsonian (National Museum of American History) for that.

When I was a kid we had it beaten into our heads that Plessy v Ferguson, the core of “separate but equal,” was a bad, terrible, horrible, grotesque… decision. Yet somehow we’ve circled back to it and it’s not the white majority of the country dictating the separation of the races.

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